
The weather went from cold spring to stupid hot summer in two days. While a week ago people were scraping frost from windshields today we hit over 90°F/32°C, complete with high humidity. Lucky for me I operate in a cold basement. This time of year the cold concrete walls and floor keep the basement around 70°F/21°C. The humidity is high, so much so that there is a pool of water around the water softener because of condensation, but cool enough to operate with air conditioning.
On a positive note I had more camera gear arrive today. On Saturday's ride I really wanted to polarizing filter. My primary lens, an EF 28-300 mm f/3.5-5.6L, requires 77 mm filters and my existing 67 mm polarized filter is too small. Since I shoot through L-series glass I didn't want to get a cheep polarized filter. I made that mistake back in 2017 of buying an inexpensive polarized filter and took a great deal of soft shots on a perfect fall day. So this time I did some research on what makes a good polarized filter. It wasn't inexpensive but it often paired with L-series lenses.
In addition, I picked up a flash set. My new camera lacks a built-in flash so I needed one just for that. I've also been looking into studio lighting and the easiest place to start is with a basic remote flash setup. I have two wireless flashes to start with, and I can use the wireless system with larger strobes should I want them.
Pictured is Pumpkin, Susan's kitty.
On a positive note I had more camera gear arrive today. On Saturday's ride I really wanted to polarizing filter. My primary lens, an EF 28-300 mm f/3.5-5.6L, requires 77 mm filters and my existing 67 mm polarized filter is too small. Since I shoot through L-series glass I didn't want to get a cheep polarized filter. I made that mistake back in 2017 of buying an inexpensive polarized filter and took a great deal of soft shots on a perfect fall day. So this time I did some research on what makes a good polarized filter. It wasn't inexpensive but it often paired with L-series lenses.
In addition, I picked up a flash set. My new camera lacks a built-in flash so I needed one just for that. I've also been looking into studio lighting and the easiest place to start is with a basic remote flash setup. I have two wireless flashes to start with, and I can use the wireless system with larger strobes should I want them.
Pictured is Pumpkin, Susan's kitty.